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"Well, perhaps I was," says Geoffrey, easily: "we are all mad on one subject or another, you know; mine may be Mona. She is an excuse for madness, certainly. At all events, I know I am happy, which quite carries out your theory, because, as Dryden says,—,

"You malign yourself," says Mona. "It is all impossible. You will have no such weak moment, or I do not know you. You will be faithful always, until he can marry you, and, if he never can, why, then you can be faithful too, and go to your grave with his image only in your heart That is not so bad a thought, is it?",

"I have indeed misunderstood you in many ways." This is unkind, and the emphasis makes it even more so. "Norah, if the butter is finished, you can go and feed the calves." There is a business-like air about her whole manner eminently disheartening to a lover out of court.,

After a time the water began to boil and the old man turned his quiver upside down over the pot, and immediately there came from it a sound of a child crying, as if it were being hurt. The old people both looked in the kettle and there they saw a little boy, and they quickly took him out of the water. They were surprised and did not know where the child had come from. The old woman wrapped the child up and wound a line about its wrappings to keep them in place, making a lashing for the child. Then they talked about it, wondering what should be done with it. They thought that if their son-in-law knew it was a boy he would kill it; so they determined to tell their daughters that the baby was a girl, for then their son-in-law would think that he was going to have another wife. So he would be glad. They called the child Kŭt-o-yĭs´—Clot of Blood.

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"Well, it was in a theatre I heard it," confesses Mona, meekly: "it was a great lord who said it on the stage, so I thought it would be all right.",

"Look at him, under that fern there!" exclaims Mona, in her clear treble, that has always something sweet and plaintive in it. "On your right—no! not on your left. Sure you know your right, don't you?" with a full, but unconscious, touch of scorn. "Hurry! hurry! or he will be gone again. Was there ever such a hateful bird! With his good food in the yard, and his warm house, and his mother crying for him! Ah! there you have him! No!—yes! no! He is gone again!",

"She took her to see the lake. Mona, you know, raves about it, when the moon lights it up.,

"But do you mean to tell me the girl he loves will give him up just because fortune is frowning on him?" asks Mona, slowly. "Sure she couldn't be so mean as that."